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City of Ghosts (Downside Ghosts, Book 3)

• ISBN13: 9780345515599
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

IT’S A THIN LINE BETWEEN ALIVE AND UNDEAD.
 
Chess Putnam has a lot on her plate. Mangled human corpses have started to show up on the streets of Downside, and Chess’s bosses at the Church of Real Truth have ordered her to team up with the ultra-powerful Black Squad agency to crack the grisly case.

Chess is under a binding spell that threatens death if she talks about the investigation, but the city’s most notorious crime bossâ€"and Chess’s drug dealerâ€"gets wind of her new assignment and insists on being kept informed. If that isn’t bad enough, a sinister street vendor appears to have information Chess needs. Only he’s not telling what he knows, or what it all has to do with! the vast underground City of Eternity.

Now Chess will have to navigate killer wraiths, First Elders, and a lot of seriously nasty magicâ€"all while coping with some not-so-small issues of her own. And the only man Chess can trust to help her through it all has every reason to want her dead.

Heat

• An L.A. cop (Al Pacino) becomes fixated on a deadly thief (Robert Dinero) and his crew ( Val Kilmer & Jon Voight) who are taking Los Angeles to the cleaners. This movie includes one of the most spectacular shoot outs in film history as Dinero and Kilmer rip through downtown Los Angeles with both guns blazing. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 085391163169

An L.A. cop (Al Pacino) becomes fixated on a deadly thief (Robert Dinero) and his crew ( Val Kilmer & Jon Voight) who are taking Los Angeles to the cleaners. This movie includes one of the most spectacular shoot outs in film history as Dinero and Kilmer rip through downtown Los Angeles with both guns blazing.Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in this intelligent, character-driven thriller from 1995, which also marked the first ! onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro an! d Pacino know, they'll both do whatever's necessary to bring t! he other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, the film qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon

Beerfest (Unrated Widescreen Edition)

• After a humiliating false start in Germany's super-secret underground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!Running Time: 116 min. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 085391102076 UPC: 085391102076 Manufacturer No: 110207

After a humiliating false start in Germany's super-secret underground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!

DVD Features:
Audio Commentary
Deleted Scenes
Featurette
Interviews
Other

While it didn't quite spark a trend in chug-a-lug brew comedies, Beerfest is the kind of zany time-killer that's a lot funnier if you're within reach of a six-pack and Doritos. In ! other words, this is yet another low-brow laff-a-thon from the Broken Lizard gang (Super Troopers) that's likely to draw a bigger audience on DVD than it did in theaters, especially since there's a lot of duds (and flat suds) to sit through while waiting for the next big beer-belly-laugh. It's the kind of movie that thinks masturbating frogs are funny (OK, you decide), while serving up a gang of guzzling Americans (the aforementioned Broken Lizard troupe, who also write this stuff with director Jay Chandrasekhar) who compete in an epic beer-drinking contest against the nefarious German challenger Baron Wolfgang Von Wolfhausen (played by German actor Jurgen Prochnow, whose starring role in Das Boot inspires one of this movie's better jokes). When it's not trying to top itself in terms of sheer stupidity and juvenile humor, Beerfest satisfies its target audience (basically, frat-rats and party animals) with some gratuitously bare-breasted babes, rampant consumpt! ion of alcohol, and the welcomed appearance of Cloris Leachman! , who so rt-of reprises her "Frau Blucher" persona from Young Frankenstein. So basically what you've got here is a dim-witted but energetic comedy called Beerfest that delivers exactly what you'd expect from a movie with that title. Who says truth in advertising is dead? --Jeff Shannon

Austin Powers Collection (International Man of Mystery / The Spy Who Shagged Me / Goldmember) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Color; Dolby; Special Edition; Subtitled; Widescreen

Austin Powers-International Man of Mystery Name: Austin Danger Powers. Sex: Yes, please! Combine the swinging '60s, spy movies, talented Mike Myers in dual roles and one hilariously well- placed champagne bottle and you get Austin Powers: International Man of Mystery. Say "Yeah, baby!" for laughs as Flower Power-era superspy Austin (Myers) is thawed from a 30-year cryogenic freeze to stop the world-dominating scheme of bald baddie Dr. Evil (also Myers). Elizabeth Hurley, shagadelic style and Austin's randy attempts to find '60s-style free love in a very different, uptight time add to the groovy fun of this mad, mod, Myers world.

Austin Powers: The Spy Who Shagged Me He's back--back in the 1960s. Secret agent Austin Powers (Mike Myers) hops in a top-secret time machine and z! ips 30 years back to 1969 to confront Dr. Evil (Myers) and his latest, vilest scheme. Evil is eviler â€" he has a diminutive clone Mini-Me (Verne J. Troyer) and massive Fat Bastard (Myers) as a henchmen. Austin, who "put the grrr in swinger, baby," is swingier…if he and fab spy chick Felicity Shagwell (Heather Graham) can recover the mojo Evil stole from Austin.

Austin Powers in Goldmember The mission for Austin (Mike Myers): Shake booty into the glittery roller-disco days of 1975 and rescue his suave spy dad (Michael Caine) from the scheme of â€" Shh! â€" Dr. Evil (Myers). The minions: freaky-flakey Goldmember, Fat Bastard (both played by Myers) and Mini Me (Verne Troyer). The minx: Austin's sassy ex-squeeze Foxxy Cleopatra (Beyoncé Knowles). The result: a three-for-all of grooviness that whisks from the 2000s to the 1970s and back to the 2000s â€" the screamingly funny third Austin Powers!

The Cell

• 1.5V, 138mAh
• D:11.60mm H:5.40mm

MAXELL AG13 LR44 357 A76 button cell battery. Factory sealed in blister pack. 10 batteries per card.

Hunger: A Gone Novel

• ISBN13: 9780061449086
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games," a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.

With Hunger, British filmmaker and artist Steve McQueen has turned one of history’s most controversial acts of political defiance into a jarring, unforgettable cinematic experience. In Northern Ireland’s Maze prison in 1981, twenty-seven-year-old Irish Republican Army member Bobby Sands went on a hunger strike to protest the British government’s refusal to recognize him and his fellow IRA inmates as political prisoners, rather than as ordinary criminals. McQueen dramatizes prison existence and Sands’ final days in a way that is purely experiential, even abstract, a succession of images full of both beauty and horror. Featuring an intense performance by Michael Fassbender, Hunger is an unflinching, transcendent depiction of what a human being is willing to endure to be heard.

Stills from Hunger

With the exception of Julian Schnabel, visual artists have had a tough time at the cinema, but like the American painter before him, Britain's Steve McQueen beat the odds with the award-winning Hunger. In his visceral depiction of a political hunger strike, McQueen emphasizes specific moments over plot mechanics. Guard Raymond Lohan (Stuart Graham) serves as a guide into the hell of Belfast's Maze Prison, circa 1981, where Bobby Sands (Michael Fassbender in a remarkable performance) and his IRA brethren hunker down in blankets, since they refuse to don uniforms and can't wear their own clothes. They dump food! on the floor, smear waste on the walls, and sleep with maggots in protest against their conditions. Even after moving the prisoners, the mistreatment continues, so they step up their campaign. It's no way to live, and it isn't easy to watch, but McQueen provides a reprieve through Sands's riveting conversation with Father Dominic Moran (Liam Cunningham), a scene his backers pressured him to cut, but the filmmaker wisely stood firm In his director's statement, McQueen says he wanted to "show what it was like to see, hear, smell, and touch in the H-Block." Because he avoids editorializing, it's as easy to condemn his subjects for their naïve idealism as it is to admire their singularity of purpose. Art background aside, McQueen clearly knows his U.K. film history, and appears to have spent time with the works of Alan Clarke (specifically Elephant) and Stanley Kubrick (see A Clockwork Orange), who share his fascination with the abuse of power, the horror of sud! den violence, and the splendor of the static shot. --Kathle! en C. Fe nnessyAgainst all odds, Katniss Everdeen has won the annual Hunger Games with fellow district tribute Peeta Mellark. But it was a victory won by defiance of the Capitol and their harsh rules. Katniss and Peeta should be happy. After all, they have just won for themselves and their families a life of safety and plenty. But there are rumors of rebellion among the subjects, and Katniss and Peeta, to their horror, are the faces of that rebellion. The Capitol is angry. The Capitol wants revenge.

It's been three months since all the adults disappeared. Gone.

food ran out weeks ago and starvation is imminent. Meanwhile, the normal teens have grown resentful of the kids with powers. And when an unthinkable tragedy occurs, chaos descends upon the town. There is no longer right and wrong. Each kid is out for himself and even the good ones turn murderous.

But a larger problem looms. The Darkness, a sinister creature that has lived buried deep in the hills, begi! ns calling to some of the teens in the FAYZ. Calling to them, guiding them, manipulating them.

The Darkness has awakened. And it is hungry.

Deja Vu

• When FBI agent Carlin (Denzel Washington) tries to prevent a terrorist attack using a top secret government time shifting device, the action is explosive. Denzel Washington teams up with blockbuster producer Jerry Bruckheimer and renowned director Tony Scott in this intriguing action thriller. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 Age: 786936705270 UPC:&

Academy Award(R) winner Denzel Washington (Best Actor, TRAINING DAY, 2001) joins forces with blockbuster producer Jerry Bruckheimer and mega-hit director Tony Scott for DÉJÀ VU â€" the powerful, fast-paced action-thriller with a spectacular mind-bending twist. Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin (Washington) gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help pre! vent crime. But can it help Carlin change the past? Hold on to your seat for an explosive and intriguing thrill ride you'll want to experience again and again.'In his most effective thriller since Enemy of the State, Tony Scott makes time travel seem plausible. It helps that his New Orleans hero, ATF agent Doug Carlin (Denzel Washington in his third go-round with the director), spends more time in the present than the past. In order to catch a terrorist, FBI Agent Pryzwarra (Val Kilmer) invites Carlin to join forces. They have the technology to see the past. He has the expertise to interpret the data. Unfortunately, the bomb has already gone off and hundreds of ferry passengers have died. Then there's the body of a beautiful woman, Claire Kuchever (Paula Patton, Idlewild), that turns up in the vicinity of the blast. Evidence indicates she was killed beforehand. Since the FBI enables him to observe Claire prior to her murder, Carlin gets to know what she was li! ke and finds himself falling in love. He becomes convinced tha! t the on ly way to solve the case--and prove her innocence--is to travel to the past. But as Pryzwarra's colleague, Denny (Adam Goldberg), argues, "You cannot go back in time. It's physically impossible." Or so he says. Déjà Vu is constructed around a clever script and executed by a top-notch cast, notably Washington, Patton, and an eerie Jim Caviezel (miles away from Passion of the Christ). In shedding the excesses of recent years--the sadism of Man on Fire and weirdness of Tarantino favorite Domino--Scott re-affirms his rep as one of the action movie's finest practitioners. --Kathleen C. Fennessy