Monday, November 7, 2011

Beowulf

Borat [Blu-ray]

  • Blu-ray, Region-free
  • UK Import
Sacha Baron Cohen brings his Kazakh journalist character Borat Sagdiyev to the big screen for the first time. Leaving his native Kazakhstan, Borat travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

It takes a certain kind of comic genius to create a character who is, to quote the classic Sondheim lyric, appealing and appalling. But be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show), leaves his humble village to co! me to "U.S. and A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in a series of increasingly cringe-worthy scenes. Borat, with his '70s mustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves. Early on, an unwitting humor coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would! not be funny in America." NOT! Borat is subversively, bracing! ly funny . When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronizingly offers), or turns cheers to boos at a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Success, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana's Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kennedy Xperiment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and r! acism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! --Donald Liebenson

On the DVD
"Global Visitings" captures Borat-mania in all its hype and glory, as Sacha Baron Cohen, never breaking character, promotes his film around the world. On the itinerary is Late Night with Conan O'Brien and the Toronto Film Festival, a now-legendary screening aborted after a projector malfunction. A mixed bag of deleted scenes finds Borat trying to bait more unsuspecting citizens, including an animal-control worker who refuses Borat a dog after he asks, "How do you recommend I cook this! ?" and a doctor who is nonplussed by Borat's obscene medical h! istory. A supermarket visit offers the most maddening fromage-inspired looniness since Monty Python's "Cheese Shop" sketch. Also good for a few chuckles are a faux soundtrack commercial and a Baywatch parody ("Sexydangerwatch"). --Donald Liebenson


Beyond Borat


All things Sacha Baron Cohen

Borat Apparel

Borat Soundtrack

Stills from Bora! t (click for larger image)




Sacha Baron Cohen brings his Kazakh journalist character Borat Sagdiyev to the big screen for the first time. Leaving his native Kazakhstan, Borat travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

It takes a certain kind of comic genius to create a character w! ho is, to quote the classic Sondheim lyric, appealing and appa! lling. B ut be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show), leaves his humble village to come to "U.S. of A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in a series of increasingly cringe-worthy scenes. Borat, with his '70s mustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts ! with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves. Early on, an unwitting humor coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would not be funny in America." NOT! Borat is subversively, bracingly funny. When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronizingly offers), or turns cheers to boos at! a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Success, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana'! s Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kenn! edy Xper iment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and racism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! --Donald Liebenson

On the DVD
"Global Visitings" captures Borat-mania in all its hype and glory, as Sacha Baron Cohen, never breaking character, promotes his film around the world. On the itinerary is Late ! Night with Conan O'Brien and the Toronto Film Festival, a now-legendary screening aborted after a projector malfunction. A mixed bag of deleted scenes finds Borat trying to bait more unsuspecting citizens, including an animal-control worker who refuses Borat a dog after he asks, "How do you recommend I cook this?" and a doctor who is nonplussed by Borat's obscene medical history. A supermarket visit offers the most maddening fromage-inspired looniness since Monty Python's "Cheese Shop" sketch. Also good for a few chuckles are a faux soundtrack commercial and Baywatch parody ("Sexydangerwatch"). --Donald Liebenson


Beyond Borat


All things Sacha Baron ! Cohen

Borat Apparel

Borat Soundtrack

Stills from Borat (click for larger image)




Borat Sagdiyev, Kazakhstan's sixth most famous man and a leading journalist from the State run TV network, travels from his ! home in Kazakhstan to the U.S. to make a documentary. On his cross-country road-trip, Borat meets real people in real situations with hysterical consequences.It takes a certain kind of comic genius to create a character who is, to quote the classic Sondheim lyric, appealing and appalling. But be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show), leaves his humble village to come to "U.S. and A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in! a series of increasingly cringe-worthy scenes. Borat, with hi! s '70s m ustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves. Early on, an unwitting humor coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would not be funny in America." NOT! Borat is subversively, bracingly funny. When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronizingly offers), or turns cheers to boos at a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Succes! s, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana's Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kennedy Xperiment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and racism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! --Donald Liebenson

Cloud b Mimicking Monkey

  • Plays three unique sounds for fun and sleep: Monkey fun, Angel falls, Lullaby
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  • Illustrated storybook and adoption certificate
Hot leading man Rupert Everett (AN IDEAL HUSBAND, MY BEST FRIEND'S WEDDING) stars in a sexy thriller that's all about jealousy, passion, revenge ... and a woman compelled to live her life on the edge! Tired of criminal activity, a wild and beautiful thief named B. (Asia Argento -- QUEEN MARGOT) begins to seek a way out of her dangerous profession. While trying to kick her addiction to crime, she finds love and a stable relationship with a naive schoolteacher (Jared Harris -- I SHOT ANDY WARHOL) ... until the dark secrets from B.'s past begin to creep into her new life! As ex-partners Paul (Everett) and Bruno (Jonathan Rhys-Meyers -- MICHAEL COLLINS) get back in the picture, B.'s harrowing balancing act threatens to c! ome crashing down!Director Michael Radford made a surprising about-face from his international hit Il Postino to this grungy British romantic crime thriller. Asia Argento (Dario's daughter and costar of Abel Ferrara's New Rose Hotel) is the title character, a street criminal whose specialty is breaking and entering: "I can get into anywhere." Jared Harris (Richard's son and Andy Warhol in I Shot Andy Warhol) is a bookish, shy schoolteacher with a yen for jazz who becomes smitten with Argento's sexy wildcat. Argento brings a vitality to the supercharged street thief trying to break with her past, but stick-in-the-mud Harris is restrained to a fault and Radford never quite finds the right chemistry to make their union any more than curious. Rupert Everett costars as a smart-mouthed, sleepy-eyed ne'er-do-well whose drug habit puts him deep in debt, and Jonathan Rhys-Meyers is Argento's volatile partner, a jittery young punk on a hair trigger. Radford has m! ore fun with the villains than his ostensible hero; the film b! ubbles w hen they're on screen and the movie's single heist scene is a short, sharp, energized shot in the arm to a slowing story. Only Harris sticks out as an impossibly resolute saint who's dedicated his life to a passionate sinner. The conclusion reverberates with echoes of Straw Dogs, as remade by a kinder, gentler filmmaker. --Sean Axmaker It's pooey on B-A-B-I-E-S until Junie B. finds out that her new dumb old baby brother is a big fat deal. Her two bestest friends are giving her everything they own just to see him. And guess what else? Maybe she can bring him to school on Pet Day.


From the Trade Paperback edition.Director Michael Radford made a surprising about-face from his international hit Il Postino to this grungy British romantic crime thriller. Asia Argento (Dario's daughter and costar of Abel Ferrara's New Rose Hotel) is the title character, a street criminal whose specialty is breaking and entering: "I can get into a! nywhere." Jared Harris (Richard's son and Andy Warhol in I Shot Andy Warhol) is a bookish, shy schoolteacher with a yen for jazz who becomes smitten with Argento's sexy wildcat. Argento brings a vitality to the supercharged street thief trying to break with her past, but stick-in-the-mud Harris is restrained to a fault and Radford never quite finds the right chemistry to make their union any more than curious. Rupert Everett costars as a smart-mouthed, sleepy-eyed ne'er-do-well whose drug habit puts him deep in debt, and Jonathan Rhys-Meyers is Argento's volatile partner, a jittery young punk on a hair trigger. Radford has more fun with the villains than his ostensible hero; the film bubbles when they're on screen and the movie's single heist scene is a short, sharp, energized shot in the arm to a slowing story. Only Harris sticks out as an impossibly resolute saint who's dedicated his life to a passionate sinner. The conclusion reverberates with echoes of Straw D! ogs, as remade by a kinder, gentler filmmaker. --Sean A! xmaker

• This runway-ready boot is a true fashion hit
• Suede leather upper with faux fur shaft
• Studded wrap-around strap detail
• Easy pull-on style
• Manmade lining
• Manmade sole
• Lightly padded footbed
• 3" wedge heel

Mimicking Monkey's unique dual track voiceover option allows you to record personal messages along with each sound to perfectly transform your child's play, relax or bedtime environment. Familiar voices and soothing sounds are proven to calm the mind in order to help children achieve a more peaceful, deeper sleep. Record a soothing message to your child and help ease separation anxiety. Read Mimicking Monkey's storybook and listen to beautiful sounds as your child slowly drifts away into a peaceful slumber.

Burn After Reading

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Genre: Comedy
Rating: R
Release Date: 23-DEC-2008
Media Type: DVDAfter the dark brilliance of No Country for Old Men, Burn After Reading may seem like a trifle, but few filmmakers elevate the trivial to art quite like Joel and Ethan Coen. Inspired by Stansfield Turner's Burn Before Reading, the comically convoluted plot clicks into gear when the CIA gives analyst Osborne Cox (John Malkovich) the boot. Little does Cox know his wife, Katie (Tilda Swinton, riffing on her Michael Clayton character), is seeing married federal marshal Harry (George Clooney, Swinton's Clayton co-star, playing off his Syriana role). To get back at the Agency, Cox works on his memoirs. Through a twist of fate, fitness club workers ! Linda (Frances McDormand) and Chad (Brad Pitt in a pompadour that recalls Johnny Suede) find the disc and try to wrangle a "Samaratin tax" out of the surly alcoholic. An avid Internet dater, Linda plans to use the money for plastic surgery, oblivious that her manager, Ted (The Visitor's Richard Jenkins), likes her just the way she is. Though it sounds like a Beltway remake of The Big Lebowski, the Coen entry it most closely resembles, this time the brothers concentrate their energies on the myriad insecurities endemic to the mid-life crisis--with the exception of Chad, who's too dense to share such concerns, leading to the funniest performance of Pitt's career. If Lebowski represented the Coen's unique approach to film noir, Burn sees them putting their irresistibly absurdist stamp on paranoid thrillers from Enemy of the State to The Bourne Identity. --Kathleen C. Fennessy


Stil! ls from Burn After Reading (Click for larger image)< /span>












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