The Cell

• 1.5V, 138mAh
• D:11.60mm H:5.40mm

MAXELL AG13 LR44 357 A76 button cell battery. Factory sealed in blister pack. 10 batteries per card.

Hunger: A Gone Novel

• ISBN13: 9780061449086
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games," a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.

With Hunger, British filmmaker and artist Steve McQueen has turned one of history’s most controversial acts of political defiance into a jarring, unforgettable cinematic experience. In Northern Ireland’s Maze prison in 1981, twenty-seven-year-old Irish Republican Army member Bobby Sands went on a hunger strike to protest the British government’s refusal to recognize him and his fellow IRA inmates as political prisoners, rather than as ordinary criminals. McQueen dramatizes prison existence and Sands’ final days in a way that is purely experiential, even abstract, a succession of images full of both beauty and horror. Featuring an intense performance by Michael Fassbender, Hunger is an unflinching, transcendent depiction of what a human being is willing to endure to be heard.

Stills from Hunger

With the exception of Julian Schnabel, visual artists have had a tough time at the cinema, but like the American painter before him, Britain's Steve McQueen beat the odds with the award-winning Hunger. In his visceral depiction of a political hunger strike, McQueen emphasizes specific moments over plot mechanics. Guard Raymond Lohan (Stuart Graham) serves as a guide into the hell of Belfast's Maze Prison, circa 1981, where Bobby Sands (Michael Fassbender in a remarkable performance) and his IRA brethren hunker down in blankets, since they refuse to don uniforms and can't wear their own clothes. They dump food! on the floor, smear waste on the walls, and sleep with maggots in protest against their conditions. Even after moving the prisoners, the mistreatment continues, so they step up their campaign. It's no way to live, and it isn't easy to watch, but McQueen provides a reprieve through Sands's riveting conversation with Father Dominic Moran (Liam Cunningham), a scene his backers pressured him to cut, but the filmmaker wisely stood firm In his director's statement, McQueen says he wanted to "show what it was like to see, hear, smell, and touch in the H-Block." Because he avoids editorializing, it's as easy to condemn his subjects for their naïve idealism as it is to admire their singularity of purpose. Art background aside, McQueen clearly knows his U.K. film history, and appears to have spent time with the works of Alan Clarke (specifically Elephant) and Stanley Kubrick (see A Clockwork Orange), who share his fascination with the abuse of power, the horror of sud! den violence, and the splendor of the static shot. --Kathle! en C. Fe nnessyAgainst all odds, Katniss Everdeen has won the annual Hunger Games with fellow district tribute Peeta Mellark. But it was a victory won by defiance of the Capitol and their harsh rules. Katniss and Peeta should be happy. After all, they have just won for themselves and their families a life of safety and plenty. But there are rumors of rebellion among the subjects, and Katniss and Peeta, to their horror, are the faces of that rebellion. The Capitol is angry. The Capitol wants revenge.

It's been three months since all the adults disappeared. Gone.

food ran out weeks ago and starvation is imminent. Meanwhile, the normal teens have grown resentful of the kids with powers. And when an unthinkable tragedy occurs, chaos descends upon the town. There is no longer right and wrong. Each kid is out for himself and even the good ones turn murderous.

But a larger problem looms. The Darkness, a sinister creature that has lived buried deep in the hills, begi! ns calling to some of the teens in the FAYZ. Calling to them, guiding them, manipulating them.

The Darkness has awakened. And it is hungry.

Deja Vu

• When FBI agent Carlin (Denzel Washington) tries to prevent a terrorist attack using a top secret government time shifting device, the action is explosive. Denzel Washington teams up with blockbuster producer Jerry Bruckheimer and renowned director Tony Scott in this intriguing action thriller. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 Age: 786936705270 UPC:&

Academy Award(R) winner Denzel Washington (Best Actor, TRAINING DAY, 2001) joins forces with blockbuster producer Jerry Bruckheimer and mega-hit director Tony Scott for DÉJÀ VU â€" the powerful, fast-paced action-thriller with a spectacular mind-bending twist. Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin (Washington) gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help pre! vent crime. But can it help Carlin change the past? Hold on to your seat for an explosive and intriguing thrill ride you'll want to experience again and again.'In his most effective thriller since Enemy of the State, Tony Scott makes time travel seem plausible. It helps that his New Orleans hero, ATF agent Doug Carlin (Denzel Washington in his third go-round with the director), spends more time in the present than the past. In order to catch a terrorist, FBI Agent Pryzwarra (Val Kilmer) invites Carlin to join forces. They have the technology to see the past. He has the expertise to interpret the data. Unfortunately, the bomb has already gone off and hundreds of ferry passengers have died. Then there's the body of a beautiful woman, Claire Kuchever (Paula Patton, Idlewild), that turns up in the vicinity of the blast. Evidence indicates she was killed beforehand. Since the FBI enables him to observe Claire prior to her murder, Carlin gets to know what she was li! ke and finds himself falling in love. He becomes convinced tha! t the on ly way to solve the case--and prove her innocence--is to travel to the past. But as Pryzwarra's colleague, Denny (Adam Goldberg), argues, "You cannot go back in time. It's physically impossible." Or so he says. Déjà Vu is constructed around a clever script and executed by a top-notch cast, notably Washington, Patton, and an eerie Jim Caviezel (miles away from Passion of the Christ). In shedding the excesses of recent years--the sadism of Man on Fire and weirdness of Tarantino favorite Domino--Scott re-affirms his rep as one of the action movie's finest practitioners. --Kathleen C. Fennessy

Gangster No 1 [Blu-ray]

• UK Import
• Blu-ray
• Region-Free

"Fascinating" (The Hollywood Reporter) and "sensational" (Los Angeles Times), this bold, innovative thriller chronicles the bloody, single-minded climb of a barbarous crime lord to power. Starring Malcolm McDowell (A Clockwork Orange), Paul Bettany (A Beautiful Mind), David Thewlis (Naked) and Saffron Burrows (Deep Blue Sea), Gangster No. 1 enters the psyche of an unrepentant mobster and reveals the madman within. Bettany gives "a brilliantly eerie, star-making performance" (American Film Institute) as a ruthless mobster who slugs, claws and kills his way to the top. But when he learns that the former mentor (Thewlis) he put in prison is about to get out, this self-made monster must not only face a man whose life he ruined but the twisted remnants of his own demented conscience as well.This glinting, scalding gangland phantasmagoria offers a sort! of funhouse-mirror refraction of the life and career of a British hooligan so elemental in his right villainy that he's merely identified as "Gangster." The action begins in 1999, with Malcolm McDowell brutishly savoring his eminence as a crime lord; but more of the film is taken up with an extended flashback to 1968, when his youthful self--played by Paul Bettany (but voiced by McDowell during private reveries)--got his start. Bettany's patron is Freddie Mays, "the Butcher of Mayfair" (David Thewlis), a comparatively suave rotter whom "Young Gangster" more or less simultaneously worships, emulates, and craves to see destroyed. Director Paul McGuigan layers the eras and personalities in a kaleidoscope of jagged stylization (occasionally the image shatters like glass, then hellishly reconstitutes itself). The effect is less to tell a proper story than to suspend us in a state of mind--and a homage to McDowell's landmark role in A Clockwork Orange. But it does exert a! n unclean fascination. --Richard T. JamesonWhen a young! gangste r (Paul Bettany) starts working for gang leader Freddie Mays (David Thewlis), known as the Butcher of Mayfair, he dreams of being everything that Freddie is: smooth, sophisticated, impeccably dressed, always with the right women, and driving the fanciest cars. Freddie takes the young gangster (unnamed in the film but listed as Gangster 55 in the credits) under his wing as a potential war with a rival gang starts to heat up. After Freddie falls for Karen (Saffron Burrows), whom 55 had his eye on, the young gangster lies in wait for an opportunity to change things, and when that moment comes, he leaves a bloodbath of betrayal in his wake. Paul McGuigan's GANGSTER NO. 1 is framed by scenes set in the present, where the aging 55, played with delicious villainy by Malcolm McDowell, narrates the tale of his younger self's rise to power in Soho in the late 1960s. Bettany is a revelation as 55, who seems to enjoy a bit of the old ultraviolence now and again; when he tells a potential victim (or even a friend) to look into his eyes, it is hard for the audience as well not to be mesmerised--and scared out of their wits. McGuigan's fast-paced direction includes creative split screens, extreme close-ups, fireballs coming right at the viewer, and a sweeping handheld camera all set to a swinging 1960s score.This glinting, scalding gangland phantasmagoria offers a sort of funhouse-mirror refraction of the life and career of a British hooligan so elemental in his right villainy that he's merely identified as "Gangster." The action begins in 1999, with Malcolm McDowell brutishly savoring his eminence as a crime lord; but mo! re of the film is taken up with an extended flashback to 1968, when his youthful self--played by Paul Bettany (but voiced by McDowell during private reveries)--got his start. Bettany's patron is Freddie Mays, "the Butcher of Mayfair" (David Thewlis), a comparatively suave rotter whom "Young Gangster" more or less simultaneously worships, emulates, and craves to see destroyed. Director Paul McGuigan layers the eras and personalities in a kaleidoscope of jagged stylization (occasionally the image shatters like glass, then hellishly reconstitutes itself). The effect is less to tell a proper story than to suspend us in a state of mind--and a homage to McDowell's landmark role in A Clockwork Orange. But it does exert an unclean fascination. --Richard T. Jameson

Cats and Dogs The Revenge of Kitty Galore Figure Set/burger King Toy Set with Codes

• This is a set of 6 Cats and Dogs figure set featuring all the main characters.
• These high quality figures have fun features like a twirling newspaper, glowing eyes, bobbleheads, flashing lights and more
• Each figure has a special code that unlocks online fun and you also get the Cats and Dogs Club BK pamphlet which includes games
• This set is no longer available at BK so it has become a neat collectible
• These make great gifts and even cake toppers

In the eternal battle between cats and dogs, one crazed feline has taken things a paw too far. Former elite agent Kitty Galore has gone rogue and plans to unleash a diabolical device designed to not only bring her canine enemies to heel but also to take down her former kitty comrades and make the world her scratching post. Faced with this dire threat, cats and dogs must work together for the first time ever to save th! emselves and their beloved humans from global cat-astrophe. This fantastically fun adventure features the voice talent of Christina Applegate, Michael Clarke Duncan, Neil Patrick Harris, Sean Hayes, James Marsden, Bette Midler and Nick Nolte and stars Chris O'Donnell and Jack McBrayer.A definite improvement over the original 2001 Cats & Dogs, Cats & Dogs: The Revenge of Kitty Galore is a brand-new story about an underground world of animal intelligence, featuring cat spy agency M.E.O.W.S., a dog intelligence agency, and even a pigeon. They find themselves in the unlikely position of joining forces against renegade M.E.O.W.S. agent Kitty Galore as she seeks revenge against dogs and humans in a plan that will destroy the human race and allow her to rule the world. This 3-D film is a blend of live action, puppetry, and animation, and the combination of better writing and a cast of talented voice artists makes the animal spies in this sequel much more believable t! han in the previous film. Kitty Galore is unlikable to the cor! e and Be tte Midler is absolutely perfect in the role. Neil Patrick Harris is highly effective as Lou, head of the dog agency; James Marsden plays the conflicted police-dog-turned-new-recruit Diggs; Nick Nolte plays fellow canine agent Butch; Christina Applegate is M.E.O.W.S. agent Catherine; and Katt Williams as Seamus does a great pigeon. The unlikely cooperation between canine, feline, and bird leads to an action-adventure that takes the agents from dark back alleys to a cat house run by a cat lady pushing catnip and even a local carnival. The action scenes will hold the interest of most children ages 6 to 12, though many of the adults in the crowd may find them rather on the slow side, and kids and adults alike will chuckle at the silly jokes and slapstick comedy that pop up throughout the film. A notable laugh for the adults in the audience comes in an extended scene that clearly invokes Hannibal Lecter in The Silence of the Lambs. Add in a robot cat, some silly magician ! tricks--including Kitty Galore zipped into a rabbit suit--a squirrel robot that self-destructs after a quick dance, and the requisite 3-D effects and you've got a perfectly adequate action comedy that kids will enjoy and their parents can stomach without too much complaining. --Tami HoriuchiIn the eternal battle between cats and dogs, one crazed feline has taken things a paw too far. Former elite agent Kitty Galore has gone rogue and plans to unleash a diabolical device designed to not only bring her canine enemies to heel but also to take down her former kitty comrades and make the world her scratching post. Faced with this dire threat, cats and dogs must work together for the first time ever to save themselves and their beloved humans from global cat-astrophe. This fantastically fun adventure features the voice talent of Christina Applegate, Michael Clarke Duncan, Neil Patrick Harris, Sean Hayes, James Marsden, Bette Midler and Nick Nolte and stars Chris O'Donnell ! and Jack McBrayer.A definite improvement over the original 200! 1 Cat s & Dogs, Cats & Dogs: The Revenge of Kitty Galore is a brand-new story about an underground world of animal intelligence, featuring cat spy agency M.E.O.W.S., a dog intelligence agency, and even a pigeon. They find themselves in the unlikely position of joining forces against renegade M.E.O.W.S. agent Kitty Galore as she seeks revenge against dogs and humans in a plan that will destroy the human race and allow her to rule the world. This 3-D film is a blend of live action, puppetry, and animation, and the combination of better writing and a cast of talented voice artists makes the animal spies in this sequel much more believable than in the previous film. Kitty Galore is unlikable to the core and Bette Midler is absolutely perfect in the role. Neil Patrick Harris is highly effective as Lou, head of the dog agency; James Marsden plays the conflicted police-dog-turned-new-recruit Diggs; Nick Nolte plays fellow canine agent Butch; Christina Applegate is M.E.O.W.S. a! gent Catherine; and Katt Williams as Seamus does a great pigeon. The unlikely cooperation between canine, feline, and bird leads to an action-adventure that takes the agents from dark back alleys to a cat house run by a cat lady pushing catnip and even a local carnival. The action scenes will hold the interest of most children ages 6 to 12, though many of the adults in the crowd may find them rather on the slow side, and kids and adults alike will chuckle at the silly jokes and slapstick comedy that pop up throughout the film. A notable laugh for the adults in the audience comes in an extended scene that clearly invokes Hannibal Lecter in The Silence of the Lambs. Add in a robot cat, some silly magician tricks--including Kitty Galore zipped into a rabbit suit--a squirrel robot that self-destructs after a quick dance, and the requisite 3-D effects and you've got a perfectly adequate action comedy that kids will enjoy and their parents can stomach without too much comp! laining. --Tami Horiuchi

Features include:
•MPAA Rating: PG
•Format: Blu-Ray
•Runtime: 82 minutes
In the age-old battle between cats and dogs, one crazed feline has taken things a paw too far. Kitty Galore, formerly an agent for cat spy organization MEOWS, has gone rogue and hatched a diabolical plan to not only bring her canine enemies to heel, but also take down her former kitty comrades and make the world her scratching post. Faced with this unprecedented threat, cats and dogs will be forced to join forces for the first time in history in an unlikely alliance to save themselves - and their humans.A definite improvement over the original 2001 Cats & Dogs, Cats & Dogs: The Revenge of Kitty Galore is a brand-new story about an underground world of animal intelligence, featuring cat spy agency M.E.O.W.S., a dog intelligence agency, and even a pigeon. They find themselves in the unlikely position of joining forces against renegade M.E.O.W.S. agent Kitty Galore as she seeks revenge a! gainst dogs and humans in a plan that will destroy the human race and allow her to rule the world. This 3-D film is a blend of live action, puppetry, and animation, and the combination of better writing and a cast of talented voice artists makes the animal spies in this sequel much more believable than in the previous film. Kitty Galore is unlikable to the core and Bette Midler is absolutely perfect in the role. Neil Patrick Harris is highly effective as Lou, head of the dog agency; James Marsden plays the conflicted police-dog-turned-new-recruit Diggs; Nick Nolte plays fellow canine agent Butch; Christina Applegate is M.E.O.W.S. agent Catherine; and Katt Williams as Seamus does a great pigeon. The unlikely cooperation between canine, feline, and bird leads to an action-adventure that takes the agents from dark back alleys to a cat house run by a cat lady pushing catnip and even a local carnival. The action scenes will hold the interest of most children ages 6 to 12, though! many of the adults in the crowd may find them rather on the s! low side , and kids and adults alike will chuckle at the silly jokes and slapstick comedy that pop up throughout the film. A notable laugh for the adults in the audience comes in an extended scene that clearly invokes Hannibal Lecter in The Silence of the Lambs. Add in a robot cat, some silly magician tricks--including Kitty Galore zipped into a rabbit suit--a squirrel robot that self-destructs after a quick dance, and the requisite 3-D effects and you've got a perfectly adequate action comedy that kids will enjoy and their parents can stomach without too much complaining. --Tami HoriuchiThese Cats and Dogs figures make a great gift for any fan of the movie. They also make interesting and fun cake toppers.

Act of God

• This particular album has all the elements I've come to expect from acapella, great voices, good lyrics, and catchy tunes that are uplifting, sad, and comforting.

Is being hit by lightning a random natural occurrence or a predestined event? Accidents, chance, fate and the elusive quest to make sense out of tragedy underpin director Jennifer Baichwal's (Manufactured Landscapes) captivating new work, an elegant cinematic meditation on the metaphysical effects of being struck by lightning. To explore these profound questions, Baichwal sought out riveting personal stories around the world--from a former CIA assassin and a French storm chaser, to writer Paul Auster and improvisational musician Fred Frith. The philosophical anchor of the film, Auster witnessed his friend get struck dead by lightning as a teenager, and has been wrestling with its import on destiny ever since. In a neurologica! l experiment, Frith improvises with his guitar to demonstrate the ubiquity of electricity in our bodies and the universe. Visually dazzling and aurally seductive, ACT OF GOD singularly captures the harsh beauty of the skies and the lives of those who have been forever touched by their fury.


On a dark, foggy San Francisco evening, Jeremy Fullerton, a hot shot California senator with his eye on the presidency, is found murdered in the front seat of his car after speaking at a political fundraiser. The police arrest a young black male found fleeing the scene. The youth, a medical student, says that he tried to help the senator, but ran because he was afraid of the police. However, all the evidence says otherwise. The only lawyer willing to take the case, fraught with political and social ramifications, is an outsider -- and Joseph Antonelli leaves his Portland, Oregon, practice in search of justice. As he begins to prepare his defense, he finds himself lost in a wor! ld ruled by backroom politics and old money. He digs deeper an! d uncove rs a chain of deceit, betrayal, and naked ambition -- and soon discovers just how much one person will risk in order to leave behind a legacy.On a dark, foggy San Francisco evening, Jeremy Fullerton, a hot shot California senator with his eye on the presidency, is found murdered in the front seat of his car after speaking at a political fundraiser. The police arrest a young black male found fleeing the scene. The youth, a medical student, says that he tried to help the senator, but ran because he was afraid of the police. However, all the evidence says otherwise. The only lawyer willing to take the case, fraught with political and social ramifications, is an outsider -- and Joseph Antonelli leaves his Portland, Oregon, practice in search of justice. As he begins to prepare his defense, he finds himself lost in a world ruled by backroom politics and old money. He digs deeper and uncovers a chain of deceit, betrayal, and naked ambition -- and soon discovers just how much one p! erson will risk in order to leave behind a legacy.On a dark, foggy San Francisco evening, Jeremy Fullerton, a hot shot California senator with his eye on the presidency, is found murdered in the front seat of his car after speaking at a political fundraiser. The police arrest a young black male found fleeing the scene. The youth, a medical student, says that he tried to help the senator, but ran because he was afraid of the police. However, all the evidence says otherwise. The only lawyer willing to take the case, fraught with political and social ramifications, is an outsider -- and Joseph Antonelli leaves his Portland, Oregon, practice in search of justice. As he begins to prepare his defense, he finds himself lost in a world ruled by backroom politics and old money. He digs deeper and uncovers a chain of deceit, betrayal, and naked ambition -- and soon discovers just how much one person will risk in order to leave behind a legacy.Track Listings 1. He's Gonna Let You Know 2. Get To The Point 3. Act Of God 4. House Of Praise 5. And They Praise God 6. Gotta Grow Up 7. Let There Be Love 8. Teaching The Truth In Love 9. Let's Show And Tell 10. Walking The Line