Friday, December 16, 2011

Alexander, Revisited - The Final Cut [Blu-ray]

  • Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and
Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and graphic battle scenes and unadulterated sensuality, it's the movie you couldn't see in theatres, now av! ailable on DVD for the very first time!

DVD Features:
Introduction
Theatrical Trailer

For better or worse (and in this case, it's mostly for better), Oliver Stone's Alexander Revisited should stand as the definitive version of Stone's much-maligned epic about the great Asian conqueror. Following the DVD release of his previous Director's Cut, Stone offers a video introduction here, explaining why he felt a third and final attempt at refining his film was necessary. Essentially, he's using this opportunity to re-create the "road show" format of the Biblical epics of the 1950s and '60s, with a three-and-a-half-hour running time (with an intermission at the two-hour mark) including 45 minutes of previously unseen footage. Stone has also significantly restructured the film, resulting in substantial (if not exactly redemptive) improvements in its narrative flow. Alexander (played in a torrent of emotions by Colin Farrell) is dying as th! e film opens, his final moments serving to bookend the film's ! epic sto ry, which incorporates flashback sequences to flesh out the Macedonian king's back-story involving the turbulent battle of fate between his father, King Philip (Val Kilmer) and his scheming sorceress mother Olympia (Angelina Jolie, ridiculous accent and all), who insists that Alexander is literally a child of the gods.

In Stone's final cut, epic battles remain chaotic (although Alexander's strategy is somewhat easier to follow, with on-screen titles indicating left, right, and center during his army's greatest maneuvers) and the ultra-violent battles are more graphically gory than ever (hence their "unrated" status). The animalistic lovemaking of Alexander and his barbarian bride Roxana (Rosario Dawson) is slightly extended (with Dawson as ravishing as ever), and Stone's additional footage also improves the overall arc of Alexander's relationship with his closest generals and male companions, although his most intimate homosexual encounters remain mostly discreet.! As Alexander Revisited makes clear, the film's weaknesses remain unavoidable, but Stone deserves credit for recognizing how a longer running time, and more disciplined narrative structure, would bring Alexander closer to the respect it never earned from critics and filmgoers alike. This is unquestionably a better film than it used to be, leaving us to wonder why it took three separate efforts to shape Alexander into its best possible presentation. --Jeff Shannon

Ed Wood (Special Edition)

  • From Tim Burton, acclaimed director of BIG FISH, EDWARD SCISSORHANDS, and BATMAN, and the producer of THE NIGHTMARE BEFORE CHRISTMAS, comes the hilarious, true-life story of the wackiest filmmaker in Hollywood history, Ed Wood! Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, CHOCOLAT, EDWARD SCISSORHANDS) stars as the high-spirited movieman who refuses to let unfinished scenes
From Tim Burton, acclaimed director of BIG FISH, EDWARD SCISSORHANDS, and BATMAN, and the producer of THE NIGHTMARE BEFORE CHRISTMAS, comes the hilarious, true-life story of the wackiest filmmaker in Hollywood history, Ed Wood! Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, CHOCOLAT, EDWARD SCISSORHANDS) stars as the high-spirited movieman who refuses to let unfinished scenes, terrible reviews, and hostile studio executives derail his big-screen dreams. With an oddball collecti! on of showbiz misfits, Ed takes the art of bad moviemaking to an all-time low! The all-star cast features Bill Murray (LOST IN TRANSLATION, THE ROYAL TENENBAUMS), Sarah Jessica Parker (TV's SEX AND THE CITY), Patricia Arquette (STIGMATA, LITTLE NICKY), and an Academy Award(R)-winning performance by Martin Landau (Best Supporting Actor, 1994) as Bela Lugosi. Hailed by critics everywhere, this laugh-packed comedy hit is sure to entertain everyone!Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in ! black and white, just like Wood's creations, this stylized, wi! tty prod uction captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful Plan 9 from Outer Space looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films. --Rochelle O'Gorman