Sunday, September 25, 2011

AMBER VALETTA ++ ITALIAN + VOGUE + MARCH -2009 (ITALIAN - 2009)

Greatest Hits

Saturday, September 24, 2011

Bloody Moon (Die Säge des Todes) [Region 2]

  • THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER
Pitcher and the Pin-Up is a romantic comedy about a young major-league pitcher who must make a big decision between his career and his love for his childhood sweetheart who has grown into a celebrated model known for her alluring pictorials in popular men's magazines.Lifelong friends Danny and Melissa a baseball player and a pin up girl lose touch after their teenage years only to find each other again in adulthood.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 26-DEC-2005
Media Type: DVDNetherlands released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), Dutch ( Subtitles ), SPECIAL FEATURES: Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: Miguel (Ch! ristopher Brugger), a young man with a horribly disfigured face, goes on a rampage at a masquerade party and brutally assaults a girl. Miguel is institutionalized at a mental asylum for five years. Afterward, he is released into the care of his sister, Manuela (Olivia Pascal). Along with their wheelchair bound mother, they operate a boarding school for young woman, called Europe's International Youth-Club Boarding School of Languages, on the Spanish resort of Costa Del Sol. Miguel is intrigued by Angela (Nadja Gerganoff), a long-haired brunette, whom he first saw on the train ride from the sanitarium. The creepy Miguel follows her around. Miguel meets with Manuela to request that they resume their unusually close relationship. She reminds him that it was this relationship that made him emotionally unstable five years earlier. She says they cannot because nobody understands them: 'Only if we could get rid of everyone, then things could go back to the way they were.' Then Ang! ela's friends are killed one by one. When the girls start to t! urn up m issing, nobody believes Angela that there's a killer on the loose. She had seen the corpse of one girl, and it was gone as soon as she went for help. Confused and scared, Angela finally looks for help from the people who run the school.

All About Anna ( When Johan Came Knocking ) [ NON-USA FORMAT, PAL, Reg.2 Import - Denmark ]

  • THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER
Official Selection: IO Isabella Internation Film Week. A friend once said that every woman needs three men: One for adventure and fun, one for stimulating conversation and one for good sex. Johan was all three. Eventually I got tired of crying over Johan. I'd learned my lesson. I was going to master my emotions. I was NOT a victim of love. From now on it was going to be all about fun. From now on, I would be living life to the hilt.LAST EXIT delves into the alternate and dark side of Copenhagen. Nigel, a loser in every sense of the word, is escaping his criminal past in England and is wedged in a loveless relationship with his wife Maria in a run down Copenhagen apartment. Nigel is constantly under pressure from loansharks and needs work badly

In what seems like a lucky break he finds he can make easy money with a company run by a man ! simply called the President. His first job is straight-forward, storing illegal goods until the heat cools.

Nigel meets gorgeous Tanya, a prostitute employed by the President. He hopelessly falls for her good looks and charm and they begin a potentially dangerous affair.

As the pressure mounts on Nigel from Tanya, Maria and the President his life continues to spiral out of control. Something twists in Nigel's psyche as Last Exit hurtles to a dark and violent conclusion!After 5 years of experimentation, MARIE & JACK was the first commercial film in our "Real People, Real LIfe, Real Sex" series.

Shot in the Summer of 2001, Marie Silva and Jack Bravo were a married couple working in the adult industry, looking for a change from the all too predictable and formulaic approach to on-screen sexuality they experienced in their "day job". I was an idealistic young documentary filmmaker exploring what love and sex might look like outside the confines of the downbe! at Art House approach.

I wanted to show what love a! nd sex l ooked like on screen when the people making love to each other were actually in love with each other, and I wanted to do it in a way that both honored the language of cinema and respected my audience as compassionate human beings. I hoped the result would be a film that would excite the mind, open the heart and arouse the body; and Marie and Jack were generous enough to lay their relationship open both physically and emotionally to my cameras, and through that, to the world.

The result was MARIE AND JACK: A HARDCORE LOVE STORY, a documentary film that is both gentle and unflinching in its depiction of sexuality and eroticism inside of marriage. In their interview Marie and Jack are utterly candid, discussing their love for each other, both emotional and physical. When the interview gives way to lovemaking, it is no less honest; no coy angles or fade-to-black. This is what real love looks like, in all its glistening glory, and it's beautiful!

The DVD inc! ludes the award-winning film, plus 32 minutes of lovemaking footage that I couldn't find a place for in the film; presented as a viewer-controlled multi-angle bonus feature. I made this film because I wanted prove that the human experience of sexuality was every bit as worthy of being witnessed as the violence and misery that is so readily accepted in entertainment, and that being 'serious' about sexuality didn't have to mean draining all the passion and eroticism out of sex. I think that what we captured in MARIE & JACK is every bit as joyful, lusty, and loving as what happens in our own bedrooms, and I hope that when you see this film you'll agree. I hope you'll say to yourself, "Yes! That's what real love looks like. And it's good!"Denmark released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Danish ( Dolby Digital 2.0 ), English ( Dolby Digital 2.0 ), Danish ( Subtitles ), E! nglish ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: ! 2-DVD Se t, Alternative Footage, Booklet, Documentary, Interactive Menu, Photo Gallery, Trailer(s), SYNOPSIS: This DVD's licensing restriction requires it to be sold to buyers from Europe ONLY.

Anna is a modern, independent single girl, focused on her job and wary of getting caught in romantic relationships. Her life is all about fun. Strangers without strings. No commitment, no casualties. She has just found a new apartment, and is tempted to let her latest boyfriend, Frank, move in with her. Instead, she finds a tenant: The flamboyant, fun-loving Camilla, who shares Anna's views on love and commitment. But then an old boyfriend happens to knock on her door: Johan, the very man who five years previously broke Anna's heart. Anna is tempted. It's not good. More than ever, she needs to get back on the merry-go-round and move on. Fortunately, she receives an offer to design costumes for a theatre in Paris. As far away from romantic temptation as possible -- right?

Friday, September 23, 2011

The Nanny Express

Thursday, September 22, 2011

Le Grand Chef 2: Kimchi Battle Movie Poster (11 x 17 Inches - 28cm x 44cm) (2010) Korean Style B -(Ku Jin)(Jeong-eun Kim)(Ji-hye Wang)

Thing of Beauty

  • ISBN13: 9780671701055
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In this autobiography, the author tells the story of her childhood, her family and her unlikely survival.

The outrageous Janice Dickinsonâ€"star of TV's The Janice Dickinson Modeling Agency, bestselling author, and glam girl extraordinaireâ€"now brings her patented blend of hard-won romantic wisdom and diva chic to her first-ever dating guide. Loaded with uncensored dish on her romantic sagasâ€"and her stranger-than-fiction bedroom adventuresâ€"Check, Please! unveils Janice's dating dos and don'ts, culled from her three decades at the top of the fast-track world of modeling, and a rich, racy life of dating, mating, and extricating. With the same voracious charm that propelled her int! o the arms of some of America's most eligible bachelors, here Janice shares her secrets to landing men, loving them, and letting them go. From first dates and old flames to primping, cheating, and sizing things up, Check, Please! is a girl's guide to an irreverent, extravagant love life.

Some titillating tips from Check, Please!

Lesson #2: Wanna Get a Guy's Attention? Ignore Him!
Lesson #13: If He's Got His Eye on the Door, He's Already Halfway Through It
Lesson #28: Don't Do Anyone You Might Regret
Lesson #40: It's Okay to Want More, More, More
Lesson #47: Don't Follow Trendsâ€"Start Them

In Everything About Me Is Fake...and I'm Perfect, the hilarious and candid followâ€"up to the national bestseller No Lifeguard on Duty, Janice Dickinson tackles our society's unattainable standards of beauty and reveals the secrets behind her own lifelong struggle to achieve perfection â€"â€" from her braâ€"stuffing days as a flatâ€"c! hested teenager through her career as the world's first superm! odel to her ultimate comeback as a bestselling author and television star on the topâ€"rated reality television hit America's Next Top Model.

Even as she graced the glossy pages of Vogue and Cosmo, Janice had to struggle to keep up the image of brazen selfâ€"confidence and bravado that became her trademark. Behind every smile and pose was a sea of selfâ€"doubt and insecurities. Now, after years of experience as a supermodel â€"â€" being stitched into clothing, starving herself, and undergoing cosmetic surgery â€"â€" Janice debunks the beauty myths and breaks down what's real and what's not. Drawing on her vast knowledge of fashion, beauty care, and fitness, Janice offers noâ€"nonsense advice and tips on how to look and feel your best on your own terms.

you see on the magazine pages starve themselves for weeks on end, smoke up a storm, and scarf down enough diuretics to blast out the Pacific Ocean.

No one tells a story like the world's first supermodel, and Jani! ce's eagerly awaited followâ€"up is filled with outrageous anecdotes from her personal life, including how she stole Donald Trump's heart after jacking his limo, her steamy date with JFK Jr., and the wonders and pitfalls of going under the knife. In a fabulous fashion that only Janice can deliver, she tells all about her bumpy and unpredictable road to a healthy selfâ€"image and pulls back the curtain on the modeling industry, as well as her own life, proving why, as Janice explains: "Everything about me is fake . . . and I'm perfect."

A rollicking memoir by one of the greatest (and most outrageous) supermodels of the 1970s.

Janice Dickinson was not only the first of the supermodels, she endured a nightmarishly traumatic childhood at the hands of a sadistic, sexually and emotionally abusive father, and emerged in the early 1970s as the first lushâ€"lipped 'exotic' brunette to break into a modelling world dominated by sunny California blo! ndes.

Janice owned the modelling world in the 1970s. Ani! mated by a fierce desire to be recognised, a fearless spirit, and an insatiable hunger for alcohol, cocaine, sex, and fun, Dickinson appeared on every magazine cover, worked with every major designer and photographer (from Calvin Klein and Gianni Versace to Helmut Newton and Richard Avedon), was married three times, and had passionate affairs or oneâ€"night stands with everyone from Warren Beatty to Jack Nicholson to Mick Jagger. Though her career waned in the 1990s, her dramatic life story did not: in recent years she has fought a hotly contested paternity suit with Sylvester Stallone, survived a nearâ€"fatal car wreck during a tequila/marijuana blackout in St Bart's, and waged a raging battle with alcohol and drug addiction.

A rollicking memoir by one of the greatest (and most outrageous) supermodels of the 1970s.

Janice Dickinson was not only the first of the supermodels, she endured a nightmarishly traumatic childhood at the hands of a sadist! ic, sexually and emotionally abusive father, and emerged in the early 1970s as the first lushâ€"lipped 'exotic' brunette to break into a modelling world dominated by sunny California blondes.

Janice owned the modelling world in the 1970s. Animated by a fierce desire to be recognised, a fearless spirit, and an insatiable hunger for alcohol, cocaine, sex, and fun, Dickinson appeared on every magazine cover, worked with every major designer and photographer (from Calvin Klein and Gianni Versace to Helmut Newton and Richard Avedon), was married three times, and had passionate affairs or oneâ€"night stands with everyone from Warren Beatty to Jack Nicholson to Mick Jagger. Though her career waned in the 1990s, her dramatic life story did not: in recent years she has fought a hotly contested paternity suit with Sylvester Stallone, survived a nearâ€"fatal car wreck during a tequila/marijuana blackout in St Bart's, and waged a raging battle with alcohol and drug addiction.

! At age seventeen, Gia Carangi was working the counter at her f! ather's Philadelphia luncheonette, Hoagie City. Within a year, Gia was one of the top models of the late 1970's, gracing the covers of Cosmopolitan and Vogue, partying at New York's Studio 54 and the Mudd Club, and redefining the industry's standard of beauty. She was the darling of moguls and movie stars, royalty and rockers. Gia was also a girl in pain, desperate for her mother's approvalâ€"and a drug addict on a tragic slide toward oblivion, who started going directly from $10,000-a-day fashion shoots to the heroin shooting galleries on New York's Lower East Side. Finally blackballed from modeling, Gia entered a vastly different world on the streets of New york and Atlantic City, and later in a rehab clinic. At twenty-six, she became on of the first women in America to die of AIDS, a hospital welfare case visited only by rehab friends and what remained of her family.

Drawing on hundreds of interviews with Gia's gamily, lovers, friends, and colleagues, Thing of! Beauty creates a poignant portrait of an unforgettable characterâ€"and a powerful narrative about beauty and sexuality, fame and objectification, mothers and daughters, love and death.Trashy celebrity bios are usually diminished by the fact that we've already heard the stories about Lonnie and Burt, or Madonna and Sean, or whoever the current target is. Author Stephen Fried manages to get all the sleaze value plus a lot of surprises by choosing supermodel Gia Carangi as his topic. Although her face is widely recognized, Gia finished her modeling career in a blaze of heroin and disease just before the time when models became celebrities with name recognition. Her life is the perfect fodder for the exploitation market, but Fried goes beyond that with fluid prose and a reporter's nose for tracking down sources. His stories about her teenage years, with their mix of late nights in Philadelphia's gay clubs, manic worship, and glam-style imitation of David ! Bowie, as well as tales of Gia's ability to seduce her friends! , male a nd female, are the product of a lot of work and make for very interesting reading. Gia's unabashed homosexuality and early death from AIDS make her story a palimpsest of life on the edge in the America of the 1980s.

Wednesday, September 21, 2011

Word & Image: Russell C. Leong. (Amerasia Journal, Vol. 37, no. 1)

  • special issue of Amerasia journal dedicated to the work of Russell C. Leong.
Service Economies presents an alternative narrative of South Korean modernity by examining how working-class labor occupies a central space in linking the United States and Asia to South Korea's changing global position from a U.S. neocolony to a subempire.

Making surprising and revelatory connections, Jin-kyung Lee analyzes South Korean military labor in the Vietnam War, domestic female sex workers, South Korean prostitution for U.S. troops, and immigrant/migrant labor from Asia in contemporary South Korea. Foregrounding gender, sexuality, and race, Lee reimagines the South Korean economic "miracle" as a global and regional articulation of industrial, military, and sexual proletarianization.

Lee not only addresses these under-studied labors individually but also integrates a! nd unites them to reveal an alternative narrative of a changing South Korean working class whose heterogeneity is manifested in its objectification. Delving into literary and popular cultural sources as well as sociological work, Lee locates South Korean development in its military and economic interactions with the United States and other Asian nation-states, offering a unique perspective on how these practices have shaped and impacted U.S.-South Korea relations.
In the 1980s, America witnessed an explosion in the production, popularity, and influence of literary works by people of color and a decadelong economic downturn that severely affected America's inner cities and the already disadvantaged communities of color that lived there. Marked by soaring levels of unemployment, homelessness, violence, drug abuse, and despair, this urban crisis gave the lie to the American dream, particularly when contrasted with the success enjoyed by the era's iconic stockbrokers and o! ther privileged groups, whose fortunes increased dramatically ! under Re aganomics.

In Urban Triage, James Kyung-Jin Lee explores how these parallel trends of literary celebration and social misery manifested themselves in fictional narratives of racial anxiety by focusing on four key works: Alejandro Morales's The Brick People, John Edgar Wideman's Philadelphia Fire, Hisaye Yamamoto's "A Fire in Fontana," and Tom Wolfe's The Bonfire of the Vanities. Each of these fictions, he finds, addresses the decade's racial, ethnic, and economic inequities from differing perspectives: Morales's revisions of Chicano identity, Yamamoto's troubled invocation of the affinities between African Americans and Asian Americans, the problematic connections between black intellectuals and the black community aired by Wideman, and Wolfe's satirization of white privilege. Drawing on the fields of literary criticism, public policy, sociology, and journalism, Lee deftly assesses the success with which these multicultural fictions engaged in the debates over these i! ssues and the extent to which they may actually have alienated the very communities that their creators purported to represent.

Challenging both the uncritical celebration of abstract multiculturalism and its simpleminded vilification, Lee roots Urban Triage in specific instances of multiracial contact and deeply informed readings of works that have been canonized within ethnic studies and of those that either remain misunderstood or were misguided from the start.224 p., 23 cm.